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Cooper-1> 0" Museum Library ° 


2 East viar Street 


New York, New York 10028 





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PETER COOPER HEWITT 


IN MEMORIAM -— 


LIBRARY OF THE 


COOPER-HEWITT MUSEUM OF DESIGN 


* SMITHSONIAN INSTITUTION « 











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In MEmMorIAM 
OF 
PETER COOPER HEWITT 
BY 


MICHAEL PUPIN, PH.D., SC.D., LL.D. 
COLUMBIA UNIVERSITY 


the day when I came to this country as an im- 
migrant boy, forty-eight years ago. He was one 
of the group of Americans represented in a picture 
called “Men of Progress” which I first saw at 
Cooper’s Union, many years ago. Soon after that I saw 
the great man himself in person during one of his fre- 
quent visits to Cooper’s Union, an institution which he 
founded, in whose welfare he was deeply interested, 
and to which he devoted much of his personal atten- 
tion. I was enrolled in the evening classes of this in- 
stitution and made much use of its Library. I made 
every effort to understand the character and the life 
of its distinguished Founder. Little | thought at that 
time that some day in the distant future his talented 
and famous grandson, Peter Cooper Hewitt, would be- 
come one of my dearest friends. ? 
The impression which Peter Cooper Hewitt made 
upon me when I first met him, twenty-five years ago, 


Pea COOPER was one of the great men of 



















































































































suggested a strong resemblance to his distinguished 
grandfather, Peter Cooper. But there were many ele- 
ments in Peter Cooper Hewitt’s personality which I did 
not understand; they puzzled me, but they fascinated 
me. He was not an ordinary man in any sense of the 
word. What he said was not easily understood at 
first, and what he did was apparently even more inacces- 
sible to the understanding of people who did not know 
him personally. It was puzzling, almost mystifying. 
But both the way he managed his words and the method 
he pursued in his work were fascinating and arrested 
attention. It took me some little time to become 
familiar with his unusual ways of saying and doing 
things, and then, finally, he became as clear as the dew- 
drop of a summer morning. 

Peter Cooper Hewitt’s personality both as man and 
as scientist could not be completely understood without 
understanding first the history of his life, and the his- 
tory was unique. It is a record of unusual training 
producing extraordinary results. From his grandfather, 
Peter Cooper, he inherited a genius for mechanisms. 
His natural tendency in this direction was encouraged in 
every respect both by his grandfather and by his par- 
ents, the late Abram S. Hewitt and his wife, who was 
Peter Cooper’s only daughter. In the homestead on 
Lexington Avenue Peter Cooper installed a workshop 
in an old greenhouse in the yard for the practice of the 
useful arts and crafts like carpentry, forging, lathe 
work, turning, etc. In this historic shop he gave his 
grandchildren their first practical training, providing 
master mechanics to carry out his own ideas in this 





matter. This was the first training school in which 
Peter Cooper Hewitt enjoyed the guiding hand of his 
illustrious grandfather. This was the beginning of that 
end which made Hewitt a skilled workman in many 
of the mechanical arts. No practical mechanical 
problem requiring skill and dexterity was ever known 
to embarrass him. Many stories are told in the Hewitt 
family illustrating young Cooper Hewitt’s wonderful 
resourcefulness as a mechanician and artisan. His early 
knowledge of the steamboat, of the steam locomotive, 
of freight-cars, and of other mechanisms was based 
upon experience which he gained while building these 
mechanisms with his own hands. That knowledge was 
made richer by contributions of his own inventive 
genius, a genius which he also inherited from his illus- 
trious grandfather. While still a mere boy he informed 
his father that brakes on cars in a train should all be 
controlled from a single spot in the train, an idea which 
a number of years later was put into practice in the 
Westinghouse air-brake. 

His interest in electrical phenomena was stimulated 
by machines which he himself built, and it was much 
intensified by Bell’s invention of the telephone. Many 
a telephone instrument he himself made, and, long be- 
fore the theory of the telephone was completely worked 
out, he knew, from his personal experience gained in 
his manufacture of the instrument and from the 
experiments he performed with it, which were the es- 
sential and which the non-essential elements in the 
construction of a telephone. His knowledge found 
its way into Hewitt’s brains through his hands. Those 













































































































who knew him well and gained that knowledge by 
watching him at work always felt that a part, at 
least, of Hewitt’s thinking apparatus was in his hands. 
They seemed to guide his brain, whereas they moved 
just like the hands of a great piano player, always 
landing at the correct spot without any apparent 
guidance from external forces. This precision in the 
action of his hands manifested itself not only in his 
scientific experiments, but also in sports and in 
the manipulation of musical instruments, which he 
handled with surpassing grace. To watch him skate 
and dance convinced one that Hewitt’s whole body and 
every part of it showed the same rare grace which one 
observed in the action of his hands. There was a 
wonderful rhythm in all of Hewitt’s movements. His 
thinking machinery appeared to be distributed equally 
over his whole body and not confined to a single part, 
the brain. The treasures of his mind were stored in 
every part of his body and not in his brain only. 

With ordinary intelligence knowledge starts with ab- 
stract principles; it starts with science and ends with 
art. In the case of Hewitt art came first, as it were by 
intuition, and its fundamental principles were then de- 
rived from it by a sort of mental distillation. Roses 
first and then the essence of roses. It is not surprising 
that educational methods such as were practised at the 
time when Hewitt was a youth could do very little for 
him. That explains why he never graduated at Stevens 
Institute, where, as in every other technical school of 
that time, they paid almost exclusive attention to the 
abstract sciences of engineering and built up their sub- 





jects by starting from fundamental principles. This 
was a strange procedure for a youth like Hewitt, and 
he never became reconciled to it. He admitted, how- 
ever, that his own method of acquiring knowledge was 
not applicable to the average youth, and its universal 
adoption would result in the weeding out of most 
students of our engineering schools, a result which, in 
the opinion of many people, might be a blessing. 

Hewitt’s researches in the electrical science were 
always his favorite occupation. They began in his 
early youth and were conducted in his own somewhat 
unacademic way. His laboratory was not equipped in 
accordance with ordinary academic ideas which de- 
manded that an electrical laboratory should have in its 
equipment such and such apparatus and instruments. 
Hewitt designed his own instruments and apparatus in 
accordance with the demands of the particular problem 
which was before him. Often they looked crude to an 
academically trained eye, but a closer scrutiny revealed 
the surprising fact that they were just the thing which 
suited the requirements of the particular investiga- 
tion, and yielded wonderful results when operated by 
Hewitt’s artistic touch. 

Hewitt’s mental attitude was that of an inventor, 
and he was an inventor of the purest type. He was 
most prolific, but this is not the place nor am I qualified 
to review the long list of his many inventions. No 
inventor has ever lived who produced more than one 
epoch-making invention, and the number of those who 
thus impressed their genius upon their epoch is ex- 
tremely small. Hewitt is one of this small number. 







































His mercury vapor lamp and everything which fol- 
lowed in its wake was epoch-making. Photography, 
lithography, illumination of docks and factories, and 
many other uses to which this lamp was put furnish 
a splendid testimony supporting my statement. To 
obtain that remarkable result required experimental 
study of a very high order, and that too in a depart- 
ment of the electrical science which was less developed 
than any other part of this science. I refer to the 
motion of electricity through rarefied gases and vapors. 
He was the first to establish clearly the new physical 
fact that the reacting force at the negative electrode 
was the most determining factor in these motions, and 
he was the first to find a means of overcoming this re- 
action. When he discovered that, the rest followed as 
an obvious result. 

The Cooper Hewitt mercury vapor lamp was only 
one of the applications of Hewitt’s discovery. The mer- 
cury vapor rectifier is a logical sequence of the lamp and 
not much less important in its technical significance. 
The rectifying characteristic of electrodes in a rarefied 
gas is one of the pillars of wireless telephony and teleg- 
raphy of to-day. Hewitt was the first to recognize its 
importance and to employ it in the wireless art; the fact 
that others obtained a patent for the procedure does not 
in my opinion prove that others had a priority in the 
pioneer work which led to the discovery. That priority 
belongs to Hewitt. I am also in a position to state here 
without any reservation that Hewitt was the first dis- 
coverer of the third or the pilot electrode, usually called 
the “grid,” which, inserted in the path of moving elec- 








tricity in a vacuum tube and suitably electrified, can 
influence that motion to any extent and in any way we 
please. That is the backbone of the modern vacuum 
tube amplifier, which is to-day playing a most eminent 
part in the modern methods of electrical transmission 
of intelligence. 

In recognition of these splendid achievements Colum- 
bia University conferred upon him the honorary degree 
of Doctor of Science. 

Among Hewitt’s mechanical inventions which I must 
mention here, even if only very briefly, is his helicopter, 
a flying-machine which rises up perpendicularly and 
soars with perfect steadiness at any height. Hewitt 
developed this machine in partnership with the late 
Professor F. B. Crocker, of Columbia University. All 
the calculations and all the experimental data, obtained 
from a full-sized model, were completed and ready for 
use, when suddenly Crocker died in June, and Hewitt 
followed him only two months later. | hope that this 
splendid work will not have been done in vain. 

Federal authorities may object to my discussion of 
the aérial torpedo. The existence of the thing itself is 
known and has been referred to in the public press. 
That which is not known is the fact that Hewitt, as a 
member of the Naval Consulting Board, was the in- 
ventor of this wonderful instrument of war. 

The inventor of the highest type is a man of imagina- 
tion and of artistic taste. Hewitt was lavishly equipped 
with both of these heavenly gifts. Hence as a com- 
panion and as a host he was unsurpassed. To be a 
guest in his artistic home was a treat never to be for- 












gotten. It was a home where art, science, spirituality, 
and everything which represents the best elements of 
our American civilization were harmoniously blended. 
Peter Cooper Hewitt was a worthy descendant of his 
illustrious grandfather, Peter Cooper, and of his bril- 
liant father, the late Abram S. Hewitt. 
































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